A curated set of recent films. Every piece begins with the same question: what is this film actually about?
Trusted by brands, agencies, and institutions including
Broadcast-grade cameras, feature-trained cinematographers, and a color suite calibrated to the standards broadcast networks demand. The work has to look like something before anyone will believe what it says.
Our documentary roots mean we know how to get real answers out of real people on camera. Your CEO, your customers, your students, your nonprofit beneficiaries, they sound like themselves, not like a press release.
You work directly with the director from first call through final cut. One creative lead, one voice, one person accountable for the whole film. No account manager, no junior handoff, no phone tag.
We ask about your audience and your distribution plan before we pitch. We build the film for where it's going to live. And we check in 30 days after launch to see what worked, so the next one works harder.
Most of our projects are led start-to-finish by the director. You'll know exactly what the film is, what it costs, and when you'll see the next cut, before we ever pick up a camera.
Step 01
30 minutes, no obligation. We listen, ask about audience and goals, and tell you honestly whether we're the right fit.
Step 02
A written creative treatment and a fixed, line-itemized budget, so you know exactly what the film is and exactly what it costs before we start.
Step 03
Pre-pro book, crew, cast, locations, shoot. Director-led. Tight updates at every milestone.
Step 04
Final cut, deliverables for every platform, and a 30-day performance check-in. We want to know what worked.
Mini-documentaries and anthem pieces that make audiences feel something about your company.
:15, :30, :60, and :90 spots for broadcast, OTT, YouTube, Meta, and TikTok.
Long-form storytelling for broadcasters, foundations, nonprofits, and brand publishers.
CEO films, investor videos, employee communications, recruitment, and training.
2D, 3D, and hybrid motion design, in-house, integrated with live action.
Schools, universities, foundations, and mission-driven organizations.
The questions we hear most often from marketing directors, agency producers, and institutional buyers.
Our projects typically start at $15,000 for a single branded film and scale to $150,000+ for a documentary series or campaign. Every project gets a fixed, line-itemized estimate, no surprises.
Most branded films deliver in 2–4 weeks from kickoff. Commercials on a tighter schedule can move in 2–4 weeks. Corporate work ranges from 2 to 6 weeks depending on access and scope.
We're based in Ridgewood, NJ and shoot constantly across the tri-state. We also travel nationally and internationally. Past shoots include motorsports events, branded films in remote environments, and on-location documentary work.
Yes, a significant portion of our work comes through creative and marketing agencies. We're fluent in agency workflow, speak treatment / PPM / director's cut / agency cut / client cut, and stay behind the brief. White-label available.
We make brand content for mid-market and enterprise companies across a range of sectors including healthcare, financial services, culture, nonprofit, and education.
You work with the director, not an account manager. Every film starts with story, not shot list. And we review performance 30 days after launch to see what actually worked, because we want the next film to work harder.
From a :30 spot to a feature-length doc — director-led, story-first, built to last.
A 30-minute call, no obligation. You'll talk to the director who would make the film, not a sales rep. We'll ask about your audience, your goals, and your deadlines. If we're the right fit, we'll send a written treatment and a fixed estimate within a week. If we're not, we'll tell you honestly and recommend someone who is.
